Teen Interview #17

Serafina Hallie, 16.


How did you get into art?

I feel like I was just kind of raised into it. My parents… especially my mom, she’s been the person to be like, “if you are able to do something and you want to do it, then go for it.“ And I’ve always been someone to create anything that I can get my hands on.  I’ve always enjoyed getting my hands dirty. And just finding little things. Having conversations with people somehow about something in my hand-an outlet. It’s just something I’ve always loved getting in to.

What mediums do you use?

A lot. So I’m double majoring at SOTA in dance and illustration. So I do a lot of paintings and drawings- but I also make jewelry.  And I really love modern dance. I work at hilltop artists so I do glass work. Torch work. Make beads. And yeah, that’s a lot of fun.

-What do you prefer?

I feel like with everything I do I’ve always had that same feeling I’ve always craved. Just being able to do the things I am always passionate about. And with each form of art that I do, I get a different feeling; so it’s hard to compare.

What type of art do you see as an actual career?

Definitely around visual arts. So…  painting, or, I’m considering film- art- direction. Just because I’d be able to pick out how to make a film beautiful. And I’m not even into film. But just making the whole thing an experience that you get to perceive; experienc[ing] beauty. And just to play someone in an experience that’s so transparent. I want to be the person to bring them that feeling.

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What has art done in your life?

Some people write down their thoughts. Some people illustrate or dance. So I think it helps me to say things I wouldn’t say normally. It’s just kind of brought me to a place that I want to be in my life. Which is very much a relief and a privilege that I get to be able to be passionate. It means I have the resources to do so.

We saw you curated your own art show. What other events do you want to do?

Well, I’m always thinking of different events I want to host. I volunteer at all the sales at my work so I get to do customer service I guess, and talk about hilltop artists. I try to participate in SOTA events, but SOTA can get unorganized I guess [laughs]. But I am trying to plan some stuff for this summer. I think I want to host a little show because I think it’s really hard to get yourself out there as a young artist. This is why I love these interviews. But it is very much a time-consuming process. So I have ideas that I can hopefully put into action. Committing to things [is a part of the process].

What are some challenges you found on your artistic journey?

Well, I’ve lived in Tacoma my whole life and I always try to be somewhere that inspires me. I love Tacoma with all my heart, but being in one place my whole life has definitely challenged me just a little bit. Because I’m very much obsessed with traveling too. And I always want to be somewhere that inspires me. So being in the same spot… I feel like I know every corner in this city. That’s been a little challenging. Every artist has art blocks that [they] stumble into. I’m very much a person who finds something and can’t get over it. [I] Research and get invested in this thing… discover so much, and I move onto a different thing. So I usually can get through those, but it’s definitely hard to stay inspired sometimes just because I’m in one place.

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Featured in our art show at Tacoma Art Museum; opening April 19th, 6-8 PM.

“Some people write down their thoughts. Some people illustrate or dance. So I think it helps me to say things I wouldn’t say normally.”

Are these challenges portrayed as themes in your art?

No not really [laughs]. I mean my changes are much easier than other people’s challenges so I’d rather make art that’s portraying those. I also love creating art that’s scenery. I love painting places that I want to go to. I feel like creating something that represents where I want to be kind of brings me there. Or brings me closer to that place. And also letting the viewer’s mind go to that place where I presented it for them.

What’s the difference between looking at someone and drawing them?

Looking at someone’s face I can admire their features. But observing them to the point where I’m drawing or painting them, lets me build a relationship with their features. So I might get to know this person just by staring into their eyes and creating them with some other medium that’s not a three-dimensional human in front of me.


How do you know if a piece of work is done?

I mean I guess that’s luck when I figure that out. I think I make the mistake of continuing a piece so many times because I’m so excited to get into it and it turns into something else. Whether it’s a simplistic piece or a complex piece, when it’s come to the point where I can look at it and where it’s accomplished what I want all my art pieces to accomplish then I know it’s done. But that says only a little bit because who knows? I could go in tomorrow, and say that, ‘ah I need to change that.’ It’s whenever I look at it and decide its message is complete and clear-but that could change.

Why is it relevant for teens to get involved in their community?

I think when anyone is able to bring awareness or bring someone nostalgia, that’s an amazing thing. And if anyone has the ability to do that, that’s a very special thing. Especially teenagers, I feel like our generation is seen as the narcissistic, smartphone generation. And bringing passion into other people’s lives, and being able to have that passion inside of you is a very important thing to bring into the community around us.

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“Whether it’s a simplistic piece or a complex piece, when it’s come to the point where I can look at it and where it’s accomplished what I want all my art pieces to accomplish then I know it’s done.”

What should teenagers do right now to build a network?

Don’t be afraid of taking action with your ideas. The reason I had an art show, was because I had no way of getting my art out there. So if you have an idea, take action with it. It can be difficult, but there are so many other kids with your same position. Do what you want. If you are organized enough, passionate enough, you will be able to do something so great. Do what you want to do, and so much more progress will be made.

Go Follow Serafina on Instagram @diglycerides

Don’t forget to come to Teen Night, April 21st, 7-10 PM.

Teen Interview #14

Tucker Gibbons, 18.


What school do you go to​?

Gig Harbor High school.

How did you start doing photography?

How did I start? Well, I always liked to look at photos in museums — actually not museums, art galleries. I always liked to go to those especially, and I really liked grey scale photos for some odd reason. Not grey scales just overcasting though. I always liked how the greens stood out a lot. And I don’t know, I feel like … it’s a really good place for that. So, I just got a camera and got in to it. It was kind of like that.

What defines the perfect picture?

In my eyes, the perfect picture isn’t the best quality necessarily or the sharpest-whatever people want to drag on about. Even the best picture, in my opinion, doesn’t have to deal with all the rules that people drag on about. I think it has to be a photo that has meaning to the photographer. If a person can look at it and take something meaningful away from it for themselves, I think it’s a good photo.

How long have you been taking photos?

I’ve been taking photos since sophomore year. But I usually don’t post photos on my Instagram, I mostly just keep them to myself. Partially because people are really volatile on social media, and I think that often times, if you can not subject yourself to such volatile comments, then why do that?

-Do your pictures ever cause controversy?

I don’t think that my pictures cause controversy, because there’s nothing controversial about them. I think that photographers and other artists have their own style, and people seem to acknowledge that. But, some photographers do believe that their style is the right one. What those artists need to realize, in my opinion, is that if somebody has their own style, then that’s the right one for them, and they need to accept that it may not be for others. I don’t think there’s this broad end to sweep every single photo into one category. So I recognize that other photographers capture some controversial material, but I don’t believe mine does.

Do you prefer portraits or landscapes?

I’ve done a few portraits. But I think it’s kind of awkward to initiate portraits. Unless it’s someone like your friends. And most of my friends are a bit squeamish around cameras. It’s kind of awkward to say, “hey can I take photos of you?” So portraits are definitely something that I want to get into more, but I just haven’t had the chance. I like portraits though for sure.

Do you have a favorite photo you’ve ever taken?

Not really. I have like three photos and I like them all equally. One is a recent photo I took on a lake. One is a portrait. It was at a portrait shoot but the person looked away and I liked how that turned out. And then another one was in New York City, at the Audrey List, and it was really abstract and weird, and I liked that about it.

How do you feel about Gig Harbor’s photography programs?

I think that our digital program is not a bad one. People want to take it for an art credit I guess. But it’s not really something you would take and actually learn a lot about photography, you know? Whatever– I didn’t expect it to be. But we have programs, obviously, it’s just not the absolute best. I think if someone has a passion for something they should be able to put effort towards it by getting out there and doing the work themselves. I don’t think photography needs to be downright taught. Obviously, there are rules that people like to follow, but as I said, I don’t think rules make the photo. Sometimes it will speak to a person. Sometimes it won’t.

Are you looking at photography as a career?

Not as a career. Just as a side job. I think in college I’m going to try to open up and take some shoots. But I don’t think it’s going to be a career because, unfortunately… as with a lot of the arts, it’s not necessarily the safest option.

Has living in Gig Harbor influenced your photography?

Not necessarily the high school, but more so the area. Because, I think that the Gig Harbor area around the school is very pretty. And there’s a lot of places to take photos. So if you want to start taking photos you don’t really have to travel anywhere. You can take your phone, go down to the beach and kind of get going. I think that our downtown is also artsy enough for photos. There are options there you just have to look for them.

Do you engage in other mediums of art?

I play piano and guitar. And I like those two. And, drawing…I wish I could draw. What I’ve heard is that I could practice drawing, but at this point, it just seems a little too late for me.

“I don’t think photography needs to be downright taught. Obviously, there are rules that people like to follow, but as I said, I don’t think rules make the photo.”

Does your music inspire your photography?

In a sense. In a complicated, convoluted sense. I like how with say, classical music, it flows and even if it’s sharp, it’s connected and it resonates while it’s not dissonant. I think that’s what it’s like with photography. If something is out-of-place and it’s dissonant, and it doesn’t blend with the subject, it almost sticks out. So it’s like I’m just hitting a rock, and I think that’s kind of how it connects – for me at least. I think that when you listen to classical music, a lot of people experience the emotion from that. And if I can do that with photography – well, that’s what I aim to do. Because a broad spectrum of people can take something away from art that doesn’t explicitly, obviously display emotion. But there’s more to it that’s up for interpretation. People can make it what they want to make it. People can do what they want. Also, I wish that I could take a photo that’s moving. But one that isn’t a video. So, that’s where it gets confusing.

Do you think teenagers in Gig Harbor should have a new platform to express their art?

The coffee shops around the area should branch out a little bit. Maybe just an emphasis on non-professional people who don’t do it for a living. No commercial artists, just local artists doing what they like to do. I think that would kind of enhance the community. Maybe it’s possible if you were to talk to them, they’d be interested in the idea. Maybe it’s something to branch out in to?

How can people make it better for teen artists in Gig Harbor?

If you get artists together and valor, in a sense, with teens. Something in Gig Harbor. Teens in art. Maybe that wIll get people to go. Maybe just a simple art club at the high school. I know that in the photography program at my school, there isn’t a community to it. People are just doing it to get the art credit. And I know that there are people who do photography who don’t take the classes. So I think that if there were a club, you’d attract people who were passionate, and not just trying to check off a box.

Go Check out Tucker’s Instagram @tucker_gibbons !

Teen Interview #11

Hal Warren, 16. Lemmon, 17.


What type of genre would you label your own music?

Lemmon: You know, I think it’s definitely hip-hop, we kind of have our own flavor of originality within that, though.
Hal: Yeah. We’re rap and hip-hop for sure, but I feel like a lot of people put themselves in that box and they’re like, “Oh we’re this genre” and then people are like, “But you’re a rapper” or “You’re a Soundcloud rapper,” and I feel like that term gets thrown around a lot, but it’s like… we make music. And I think the expression of an artist shouldn’t be within one genre. People are inspired to make lots of different types of music that sounds different and that’s okay.

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Hal

How long has KID GENIUS been around?

Lemmon: A year.
Hal: Yeah, a little over a year.
Lemmon: We started last December. [Last] January was when we started actually writing songs.

What is the origin of the name?

Lemmon: It’s on you Hal.
Hal: Liam was producing a beat and I was really vibin’ with it, and I was like, “Dude, this is genius! You’re like a kid genius!” and it just kind of got thrown out and that was going to be the name of the song. And then we were like maybe we could start something. Then later I was like, “What should our name be?” and he said, “Kid Genius” and we weren’t set on it but it stuck.
Lemmon: Seemed good.
Hal: Yeah.

What role do you both play in the group?

Hal: I’m the rapper and vocalist and Liam’s the producer, so all of the instrumentals.
Lemmon: All of the music is from me.
Hal: We’ll make songs together, but he’s the mastermind behind all of the beats and all of the songs.

Where do you draw your inspiration from?

Lemmon: Mine comes from everywhere. It’s not just one person within the hip-hop genre, but it’s people from rock and roll or jazz or even classical music. Seeing how they can find their originality, find their sound within their genre is an inspiration to me. I guess that’s what we’re trying to do with our stuff.
Hal: He’s inspired by a lot of ambient stuff, like there’s this artist named John Hopkins that he really likes. I’ve been kind of obsessed with the whole underground scene. There are artists like Suicide Boys, Wifisfuneral, and Pouya and all these underground guys that aren’t mainstream. I have kind of been obsessed with that genre for a long time, and I have just recently begun to draw a lot of inspiration from local guys like Peasant Boys and I’ll fight you. And of course, the classics like Tupac and Biggie, Outkast and Public Enemy. Our next project really focuses on the root sounds, like when you think of hip-hop, like the old school beats and relatively simple flows. I also listen to a lot of heavy metal, and Counterparts.
Lemmon: I listen to whatever he listens to. He just tells me to listen to stuff and I go. We draw stuff from everywhere.

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Lemmon

What advice do you have for people just starting their own bands?

Lemmon: I would say take action and don’t be afraid. Know how much you want. If you’re doing it just for fun, that’s great. I find that with us, we’ve had a lot of talks about how far we want to go with it, and I feel like that’s important too. Your desire, and how much you love music.
Hal: If music doesn’t make you happy, you shouldn’t do it. People make music for every single reason you can possibly think of, and every single one of those reasons is valid. Like he said, if you’re gonna do it, really do it. It’s okay to be unsure. We don’t really know what we’re doing, we just like making music and we’re still figuring it out. Just start making stuff. Just do stuff; just make stuff. Start putting out music.

What motivates you to not give up?

Lemmon: I’m addicted to making music, so there’s no way I can quit.
Hal: Liam spends hours and hours and hours on end just on his computer making beats. He’s read entire books on Ableton. There are so many artists for everyone, that really means a lot to them and that has inspired them or helped them work through a section of their life that was really hard. So even the smallest possibility that our music, or something that I create, could help somebody else through something or inspire them or change their life even, just that small chance that I could touch one person, is the coolest thing for me. The fact that we can be a source of sanction for the people.
Lemmon: It’s giving back, you know?
Hal: Couldn’t say it any better.

What is the current project/goal you are working on right now?

Lemmon. Project and goals are two very different things.
Hal: Yeah.
Lemmon: Tell them about the project.
Hal: We very recently just started talking about our next project. We just dropped an EP called “Journey” that was kind of like our first step. Our first step is kind of like identifying it like, “okay we are really gonna do this.” But our next project is …we don’t really have a name for it yet.
Lemmon: Not yet.
Hal: We’re working on something, but there’s another EP in the works.

Is it luck, or hard work that shows results?

Lemmon: It’s luck- no.
Hal: Bro, you got to have hard work.
Lemmon: Some things are just natural, but at the end of the day, if you were to take someone who is naturally good at music versus someone who works every day at it, over a period of time I don’t think the person with luck is going to win.

What art besides music, do you find especially intriguing?

Lemmon: Photography is one thing I find very intriguing. It’s really cool that we can use it with our music with our album art. I’m very strict with album art.
Hal: Image is such an important thing.
Lemmon: You gotta find an image that blends with the music. You can’t have a heavy metal song with a picture of a butter-
Hal: Butterfly.
Lemmon: Or violin or something.
Hal: Well you can make anything out of anything.

Where do you see yourself in five years?

Hal: Hopefully in Los Angeles or somewhere in California making music. I mean, that’s our dream that we want.
Lemmon: That’s the target.
Hal: Yeah it’s to go to California. I kind of fell in love with it after a couple of trips. Every time I’m there I’m like, “This is where I’m supposed to be.” So hopefully there, doing this.

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How are success and fame different?

Lemmon: I mean, you can be an electrician and be successful, but not have fame, you know? What do you think about that, Hal?
Hal: I think success is very subjective; like very subjective.
Lemmon: I agree. It’s happiness.
Hal: I think success is contentment. One person’s success may be finally making that first song or playing their first show, or releasing their first project. While another person’s success may be having six albums go double platinum and selling out every major stadium in the US. Both of those are equal and valid success, but fame isn’t necessarily success. There are people who have gotten famous over the stupidest things.
Lemmon: Yeah,
Hal: Just because you’re famous doesn’t mean you’re successful.

Why is it important to recognize teen art?

Lemmon: They’re the future; teens are the future.
Hal: Everyone’s voice is valid. A lot of people say like, “You’re just a kid. You don’t know what you’re doing. You don’t know where you want to go you. You don’t know what you want to do.” And a lot of kids are like, “Yes I do.” And they don’t know how to express that. A lot of these kids are so creative and so different and they challenge certain ideas and they bring out these ideas and they bring out certain things and it’s like, listen to these kids! They have very important things to say. Every voice is valid.
Lemmon: It’s valid.
Hal: Its completely valid, and it’s a different perspective. And most of it is without an ego. I say that tentatively because there are a lot of kids that have big egos. But I think adults have the biggest egos. They’re like, “We know everything. We’re gonna teach you.” And it’s like, that’s true-they can teach you a lot, but like-
Lemmon: No.
Hal: Yeah.

How can Tacoma improve in highlighting work from teens?

Lemmon: Probably open up more places to play than just Realart.
Hal: There’s Louie G’s in Fife and there’s Realart. I feel like more places for specifically youth art to showcase, or more events for kids to meet other teen artists to network. I am very, very fortunate to be at SOTA with other art kids who make music. In any room, there’s anyone who can do anything, and you could potentially have all the musicians to make an album and all the artists to make artwork and all the people who know how to push that album. More of the local community, I guess.

Who is responsible for giving Teens a platform?

Hal: I think teens are going to have more initiative because adults are going to be more hesitant to invest in that, even though it makes more sense to invest in the future than other things. I think teens, and just kids, will have the better mindset for that, but in reality, adults have the resources and the positions to make these things happen.

Go check out Lemmon @Lemmonproductions and Hal @Halwarren_
And follow the two at @Kidgenius_
Also take a minute to listen to their music!

Teen Interview #6

Samantha Allshouse, 17

How did you get into art?

Through my best friend, she is a lot more artistic than I am, and she kind of showed me  different forms of art. I wanted to do the same thing but in my own style. I just want to portray my thoughts in a way that people visualize.

What artist(s) would you say has been the biggest influence on your art?

Probably Rich Chigga and Mac Demarco; they both influence my style. They’re so completely different and it helps me because I find a place in the middle that balances their two styles. Mac Demarco’s style is kind of laid back, I’d say, which reflects my personality. And Rich Chigga is such a goofy rapper. I just try to find that balance of laid back, but also goofy and humorous.

What would you say defines the perfect picture in your eyes?

That question does not have an answer. There are so many places a picture can go, depending on what emotion you are trying to portray or what picture you are trying to display or what meaning. The perfect picture is the picture you can get creative with. I guess you could say, with right framing or lighting. The model could pose a certain way. It’s really up to what image you are trying to display.


Would you say mental illness is taken more seriously in teens, rather than adults?

Yes and no, because there are different types of communities in teens that react to mental illness.  While there are some people who advocate for mental illness and it’s a really important thing to touch on. But there’s another community who thinks it’s humorous, and you can see it . . . things like “Oh kill yourself,” that type of stuff so there’s definitely two communities that see it differently.

How do you incorporate this into your photography?

I try to get ideas of how people describe their mental illness and put it in a way that people can visualize it. Because I don’t think people understand it and in photography, you try to put it in a visual way so you don’t have to think it out too hard.

What programs or organizations do you wish you had when you initially started photography?

I wish I had a group of friends that had a mutual like for photography because it would be so helpful to get hints and tips. Different ideas from a group of people because sometimes the best education isn’t from professionals, but people who can review it and bounce off ideas. So any friend group of people with mutual interests.

What is your favorite work you’ve done so far?

Probably the shoot with the balloons because it has a lot of meaning. I mean all my other photography . . . a lot of it is just portraits. But the one of my friend with the balloons . . . portraying mental illness just because it has a deeper meaning. 

How do you think Tacoma could benefit from the awareness of mental illness in Teens?

More education is really important because a lot of people don’t know. The reason for depression is a chemical imbalance in your brain. But a lot of people don’t understand that or when people say “Get over it.” Teens need to understand it’s not just a “Get over it,” type of thing so teens need more education on it, and need to be able to talk about it more.

“I try to get ideas of how people describe their mental illness and put it in a way that people can visualize it.”

Why is it important that we listen to teen voices in Tacoma?

You can’t teach an old dog new tricks. And with that, there are always new things to see in the world. New ideologies. New ways to see things. and sometimes adults don’t have that same mindset. They weren’t raised in a certain way but they can’t see things like you do. But with people in the same generation as you, they have such a different but similar experience.

How do you think teens can benefit from a network where they communicate about art, events, and etc.

Different ideas, different styles for me come around different things every day. I love to learn about art, education from word of mouth. Everyone could benefit from learning about what’s going on in other people’s heads.

How has culture made itself known in your art?

started art really recently. I started ceramics; I’ve done painting. But it’s been a hobby type of thing, nothing to take seriously. But I’ve been held back by my family and parents. Because math and science are the only true subjects and you can’t benefit from art at all. But now that I’m a bit older, I can do whatever I want. I’ve started to invest my time in finding different ways to express myself

Do you see yourself in the future still regarding art as a hobby?

I’m very split on that. I definitely would love to go into film-making. In silent films, you can express so much emotion and feeling. I’m split on that and getting an education degree. While I teach around the world I can do photography as a side job, so I really plan on keeping art in my profession.

For more of Sam’s art check out her Instagram @sam.qall

If you want to share your passion with the Tacoma art community, email or dm us for interviews, job information, our to send us your art! Also, make sure to come to January’s F.O.A.M, an event of art where teens can come and hangout; it goes from 6-8pm at Tacoma Art Museum every third Thursday!

Teen Interview #4

Zach Norris, 17 


What instrument do you mainly play, and why did it initially interest you?

I play guitar. I think it interests me because my dad played guitar when he was younger, and that’s the main kind of music I listened to. It’s our music in a sense, and it just seemed cool to do. I’ve never really known anything better, I guess.

At what age did you start showing an interest in music, and did you ever stop this progression?

I started to play guitar in second grade, but [the general interest] was probably way younger than that. My parents have stories where I would sing all the time, as a very small child, so probably the majority of my life. I took a lot of breaks. It happens a lot less now. There was a lot of reaching a point progression, then it gets too hard and you give up.

When did you know that music was something more meaningful to you? 

Probably my sophomore year; that’s when it clicked. That’s when I started writing songs. I had been playing songs in a band for a while but I hadn’t sat down to write a song. It all started to click, you realize that you can filter emotions.

What message does your band try to convey?

I’ve gone through a couple phases. At this point, I’ve played in a lot of bands that have different messages. I’ve played in a band called Slog, where the message is resistance, fighting outer issues within yourself. My solo projects  varies.

What’s the difference in being an independent musician, from being a member of a band?

Like I said with my band Slog, the writing process is collaborative. You don’t just sit down and write a punk song by yourself, everyone’s working together. It’s angry music, so we tend to get mad all the time. But then I think when I’m playing my own music, and I’m just in my room, writing by myself, I can do whatever the hell I want. [I can] change things, add things, right there. I think having that outlet of individual work is always a good thing to have.

“My sophomore year; that’s when it clicked. That’s when I started writing songs. I had been playing songs in a band for a while but I hadn’t sat down to write a song. It all started to click, you realize that you can filter emotions.”

What music do you listen to?

All, I’ve never had boundaries. I like what I like. Little pieces of everything.

Describe the moments when you feel especially inspired. 

Probably when I’m listening to other music. I go to school downtown so if I’m walking downtown, music is all I’m thinking about. If an idea pops up, I’m always like, “I have to do that right now.”

What events or programs do you wish you had in Tacoma to showcase your music? 

More places to play,  because I can record all the music I want. Musicians are lacking, especially in places to play; places that are accessible to other people. There’s not a ton of all-ages venues. Coffee shops are hard to put on a show. 

Would you say Tacoma represents young artists well?

I think it does better with young artists compared to Seattle, definitely. Everyone’s more equal here in terms of age. Everyone moves with each other. I think it definitely does a better job than other places.

Check out his music on SoundCloud, and go check out other songs!

Teen Interview #3

Kelly Moylan, 18


What school do you go to?

I go to SOTA; Tacoma School of the Arts.

What mediums do you involve yourself in?

I like a whole lot of mediums. It usually depends on the subject matter I’m working with. Lately, I’ve been into watercolor. Acrylic is usually where my heart lies while painting. I also like working with colors, so colored pencil or marker; I don’t know, a lot of different things.

What does your art mainly consist of? Symbolically speaking.

It depends on my mood. So I would say it’s a reflection of how I’m feeling, especially the ones I do in short amounts of time. Which, if I do in long amounts of time, it’s usual skill, which I don’t really like. I’m trying to push myself to make more art that I just like. I also like to think of them as a culmination of whack-ass ideas I have.

What has been your favorite piece that you’ve created?

I think the one that I’m most proud of is my jellyfish piece that’s on Plexiglas. But the one that I like the most is probably a portrait of my friend, Abby. I used a bunch of weird stuff like scotch tape, glitter pens, markers, and colored pencils.

Aside from visual artists, are there any artists in music, film, or other mediums that have inspired you as well?

Yeah, I like a lot of music. I usually correlate music to making my artwork. It’s lately been a lot more indie rap, according to Spotify.  Including No Name, and others I can’t think of right now. I also have cassette tapes, I started collecting them a year ago. The songs on them, a lot of them, are new. I didn’t know the album but I knew the band. The artwork from a lot of them is really cool, as well. 

What has been your favorite artistic event that you’ve gone to in Tacoma?

Probably Teen Night, like the first Teen Night. I was working for most of it and just doing portraits, which was fun. I had a lot of fun doing it. I also really liked the open mic on the second night. Teen Night has been one of my favorites. But I’ve also been heavily involved in them, so I’m biased.

What demographic comes to mind when you think of people who visit art museums?

On a personal level, preferably everyone. There wouldn’t be a specific demographic. But currently, old white people. I think of donors to the museum.

Tacoma Art Museum has done many themes in exhibitions, such as immigration, or race; what specific theme would you like to see?

I’d say those but more. Because honestly it just recently started. They only started doing that a few years ago. No shade to the museum, like, I’m glad that they’re making a point to do that more. But I think more marginalized groups of people, as opposed to white men who made paintings in the 1700’s.

I understand you’re a part of the Teen Art Council. Do you feel a bit more privileged than your peers when you go to the art museum?

When I go to the Tacoma Art Museum. Sometimes I feel really arrogant. When I’m like “I’m on the teen art council at TAM, so I think you should really go there sometimes, its really cool, they have a lot of awesome exhibitions.” But I also go to SOTA, so that amplifies my cockiness.

How do you think Tacoma would benefit from the voices of teens?

I think that if you get the children and younger generations involved in art, then other people will follow. I feel like there would be an obligation for parents and siblings to get into it too. To an extent, those kids will grow up and be involved as adults, and their kids will also be involved. It will happen by generation, but you have to start somewhere.

 

Go follow Kelly’s instagrams! @smellie_fruit & @kelly.moylan.art